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儒家理想的幻灭——从《桃花扇》结局看孔尚任的缺乏性创作动机
引用本文:张唯.儒家理想的幻灭——从《桃花扇》结局看孔尚任的缺乏性创作动机[J].涪陵师范学院学报,2006,22(5):98-101.
作者姓名:张唯
作者单位:华东师范大学古籍研究所 上海200062
摘    要:创作心理学理论认为作家的创作动机很大程度上源于在现实生活中的种种痛苦体验,现世中的人生缺失感构成了创作的缺乏性动机。“借离合之情,写兴亡之感”的传奇佳作《桃花扇》,浸满了悲凉哀伤的情绪,这正是出自孔尚任本人儒家理想的幻灭和难以解脱的兴亡感慨。本文试从《桃花扇》的结局安排入手,结合孔尚任儒家理想由追求到冷漠直至幻灭的心理历程,分析《桃花扇》的缺乏性创作动机。

关 键 词:《桃花扇》  孔尚任  缺乏性创作动机
文章编号:1672-366X(2006)05-0098-04
收稿时间:2006-05-25
修稿时间:2006年5月25日

The Disillusion of Confucian Ideal
ZHANG Wei.The Disillusion of Confucian Ideal[J].JOurnal of Fuling Teachers College,2006,22(5):98-101.
Authors:ZHANG Wei
Abstract:According to creation psychology,to a great extent,a writer's creation motive stems from various miserable experiences in reality.The loss of life causes lack of motive in creation.Peach Blossom Fan is full of sorrowful mood,which is exactly caused by Kong Shangren's disillusion of Confucian ideal and his insurmountable emotion of rise and fall.Starting from the arrangement of end of Peach Blossom Fan,and combining it with Kong Shangren's psychological course from pursuing Confucian ideal to apathy and finally to disillusion,this paper makes an analysis of the lack of creation motive of the Peach Blossom Fan,which will be helpful for rational elucidation of the writer and his works.
Keywords:Peach Blossom Fan  Kong Shangren  lack of creation motive  
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