| 创伤与抚慰:怀旧者的叙事体验--论《孔雀》中的怀旧感 |
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| 引用本文： | 傅明根.创伤与抚慰:怀旧者的叙事体验--论《孔雀》中的怀旧感[J].凯里学院学报,2006,24(1):91-93. |
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| 作者姓名： | 傅明根 |
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| 作者单位： | 广东商学院中文系,广东,广州,510320 |
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| 摘 要： | 怀旧不仅是人类更是电影中的一个美丽而忧伤的永恒话题。作为第五代著名摄影师的顾长卫,其处女作《孔雀》就是一部以怀旧和感伤为主调的影片。认为这部影片通过创伤与抚慰的叙事体验,通过富于隐喻化的片名和开放式的结尾等策略,传达和表现的正是一种悲天悯人的怀旧感。
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| 关 键 词： | 怀旧 第五代 悲天悯人 <孔雀> |
| 文章编号： | 1002-6991(2006)01-0091-03 |
| 修稿时间： | 2005年10月8日 |
Hurt and Conciliation:Narration Experience of Reminder--On Reminiscence of Peacock |
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| FU Min-gem.Hurt and Conciliation:Narration Experience of Reminder--On Reminiscence of Peacock[J].Journal of Southeast Guizhou National Teachers College,2006,24(1):91-93. |
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| Authors: | FU Min-gem |
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| Abstract: | Reminiscence is abeautiful and desolate theme of mankind and movie as well.Peacock, the maiden work of Gu Changwei who is a famous photographer of the fifth generation,is the very movie that is permeated with reminiscence and pathos.This article argues that the movie Peacock,by its narration experience of hurt and conciliation,by its metaphorical naming and open ending,is just to conye and express the compassionate tone of reminiscence. |
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| Keywords: | reminiscence the fifth generation compassionat tone |
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