| 车尔尼雪夫斯基对黑格尔喜剧美学思想的继承与突破 |
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| 引用本文： | 苏晖.车尔尼雪夫斯基对黑格尔喜剧美学思想的继承与突破[J].华中师范大学学报(人文社会科学版),2000,39(2):131-136. |
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| 作者姓名： | 苏晖 |
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| 作者单位： | 南京大学中文系,江苏南京 210093 |
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| 摘 要： | 本从喜剧本质及喜剧形态两方面对黑格尔及车尔尼雪夫斯基的喜剧美学思想进行了比较。在喜剧的本质方面，本认为车尔尼雪夫斯基对黑格尔的理论有继承、吸收，也有批判、突破。继承与吸收体现在三个方面，即都运用辩证法的本质与现象、内容与形式的对立统一关系来分析喜剧的本质，都以内容的否定性来限定喜剧形象，也都重视喜剧否定性内容的社会伦理及审美教育意义。批判与突破而体现在：车尔尼雪夫斯基明确指出了丑是喜剧的本质，
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| 关 键 词： | 车尔尼雪夫斯基 黑格尔 喜剧美学 喜剧本质 |
| 文章编号： | 1000-2456(2000)02-0131-06 |
| 修稿时间： | 1999年8月15日 |
Chernyshevsky's Aesthetic Theory of Comedy——His Inheritance and Development From Hegel |
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| SU Hui.Chernyshevsky''s Aesthetic Theory of Comedy——His Inheritance and Development From Hegel[J].Journal of Central China Normal University(Humanities and Social Sciences),2000,39(2):131-136. |
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| Authors: | SU Hui |
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| Abstract: | This paper compares Chernyshevsky's aesthetic theory of comedy with Hegel's. In the aspect of the essence of comedy, both Chernyshevsky and Hegel used dialectic method in analyzing the essence of comedy, and they both held that comedy should show negative content and that the content should have functions of social ethics and aesthetic education. But Chernyshevsky developed Hegel's theory. He pointed out clearly that ugliness was the essence of comedy. In the aspect of the forms of comedy, they took different attitudes toward satire but had the similar opinions on humor. |
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| Keywords: | Chernyshevsky Hegel aesthetic theory of comedy |
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