| 从女性主义批评视角解读《默默无闻与无依无靠》 |
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| 引用本文： | 高雁.从女性主义批评视角解读《默默无闻与无依无靠》[J].科教文汇,2011(7):60-60,109. |
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| 作者姓名： | 高雁 |
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| 作者单位： | 鲁迅美术学院美术史论系,辽宁·沈阳,110021 |
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| 摘 要： | 本文分析了艾米莉·玛丽·奥斯本的油画《默默无闻与无依无靠》，对其中表现出的女性的他者身份、作为男性的欣赏物以及女艺术家表现出的沉默．从女性主义批评这一视角进行了解读。
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| 关 键 词： | 女性 他者被欣赏物沉默 |
From the view of Feminist Interpret "Obscure and Helpless" |
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| Authors: | Gao Yan |
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| Institution: | Gao Yah The predecessor of Luxun Academy of Fine Arts,110021,Shenyang,Liaoning,China |
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| Abstract: | This paper analyzes the Emily Mary Osborne＇s oil painting ＂obscure and helpless＂, in which demonstrated the female identity as objects and male enjoy her and the silence of female artist,the criticism is from the view of feminist Interpretation. |
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| Keywords: | female others objects to be appreciated silent |
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