| 都升堂了,何以不能入室?——评陈凯歌《赵氏孤儿》的人文与美学短板 |
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| 引用本文： | 高原.都升堂了,何以不能入室?——评陈凯歌《赵氏孤儿》的人文与美学短板[J].甘肃高师学报,2011,16(4):1-4. |
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| 作者姓名： | 高原 |
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| 作者单位： | 兰州城市学院文学院,甘肃兰州,730000 |
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| 摘 要： | 一个复仇题材的作品应怎样表现才能具有人文及美学价值?这是复仇类题材创作的基本问题。它十分考验一个艺术家的美学修养及人文素质。在陈凯歌导演的《赵氏孤儿》中,庄姬的临终托孤之言象征该片虽已升到美学之堂,但整个影片的表现却最终没有进入美学之室、抵达一种人文精神的灵境,这是非常令人可惜的。
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| 关 键 词： | 人文精神 陈凯歌 《赵氏孤儿》 美学局限 汪曾祺 《复仇》 |
Comments on Chen Kaige Short of the Orphan of Zhao Culture and Aesthetics |
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| GAO Yuan.Comments on Chen Kaige Short of the Orphan of Zhao Culture and Aesthetics[J].Journal of Gansu Normal College,2011,16(4):1-4. |
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| Authors: | GAO Yuan |
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| Institution: | GAO Yuan(College of Literature,Lanzhou City University,Lanzhou Gansu 730070) |
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| Abstract: | What a revenge theme works should show to have cultural and aesthetic values？ This is revenge such fundamental questions of literary creation. Aesthetics culture of test it is an artist and human quality.The orphan of Zhao, Director Chen Kaige, Zhuang Ji symbol of dying entrust an orphan to say that despite the rise to the aesthetics of the Church, but the performance of the entire movie is eventually arrived in a humanistic spirit into the aesthetics room, virtual reality, it is a great pity. |
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| Keywords: | human spirit and Chen Kaige the Zhao's orphan aesthetic limitation Wang zengqi of the revenge |
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