| 谈形象思维在书法艺术中的体现 |
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| 引用本文： | 陈侃.谈形象思维在书法艺术中的体现[J].六盘水师范高等专科学校学报,2009,21(2):37-39. |
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| 作者姓名： | 陈侃 |
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| 作者单位： | 六盘水师范高等专科学校中文系,贵州,六盘水,553004 |
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| 摘 要： | 书法美的本质属性是抽象线条的艺术组合,但人们在创作书法或欣赏书法时,往往会受到客观世界具体形象的启悟,产生联想,从而使抽象线条中寓有一定的形象性。这种形象毕竟不是形象本身,而是依附于抽象表现的“似而不似,不似而似”的自由联想。书法艺术这种形象的联想与异化,正是书法线条本身的抽象与综合,这种形象思维是美的艺术作用的显示。
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| 关 键 词： | 书法形象思维 艺术联想 意在笔先 形神兼备 |
On the Image of the Thinking Embodied in the Art of Calligraphy |
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| CHEN Kan.On the Image of the Thinking Embodied in the Art of Calligraphy[J].Journal of Liupanshui Teachers College,2009,21(2):37-39. |
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| Authors: | CHEN Kan |
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| Institution: | Chinese Department;Liupanshui Teachers College;Liupanshui 553004;China |
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| Abstract: | The beauty of calligraphy lies in the essential attribute of abstract art combination of lines. when people in the creation of calligraphy or appreciate calligraphy, they would be specific image of the objective insight of the world, with association,the abstract lines have a certain image of. This image is not the image itself, it depend on the performance of abstract "might not like, but do not seem like" freedom of association. This image of the art of calligraphy association and alienation, lines of cal... |
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| Keywords: | calligraphy thinking in images art association first in Italy formation and spirit in one and the same |
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