| 论逻辑思维对文艺作品的渗透 |
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| 引用本文： | 苏越,李建华.论逻辑思维对文艺作品的渗透[J].湘潭师范学院学报(社会科学版),2001,23(2):27-31. |
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| 作者姓名： | 苏越 李建华 |
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| 作者单位： | 1. 中国人民大学 哲学系,
2. 湘潭师范学院 政治系, |
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| 基金项目： | 国家社会科
学基金资助项目(00BZX031) |
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| 摘 要： | 形象思维与逻辑思维没有不可逾越的鸿沟，两相辅相成，互相对立又互相渗透，在从事艺创作的过程中，作家不但要用形象思维，而且要用逻辑思维，运用形象思维，可以更好地烘托环境与刻画人物，从而使作品获得尽量完美的艺术形式；运用逻辑思维，可以深化艺作品的主题思想，使作品中的人物富于哲学智慧的闪光，并且常常成为艺作品的筋骨或故事情节发展的环扣，逻辑思维通过各种渠道实现着对各类艺作品的渗透。
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| 关 键 词： | 形象思维 逻辑思维 文艺作品 渗透 文艺创作 逻辑结构 主题深化 |
| 文章编号： | 1009-4482(2001)02-0027-05 |
| 修稿时间： | 2000年10月19 |
On the Infiltration of
Logic Thinking to Literary and Artistic Works |
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| Abstract: | There is no impassable chasm between thinking in terms of images and logic thinking. Both supplement each other, oppose each other and infiltrate each other. In writing literary and artistic works, writers should apply not only thinking in terms of images but also logic thinking. When thinking in terms of images is applied, characters can be well described and environment be stood out, thus achieving an artistic form as perfect as possible. When logic thinking is applied, the theme of the works can be deepened, making the characters in the works shining in philosophical wisdoms and becoming the backbone of the works or the chains of the development of the plot. Logic thinking realizes its infiltration to various literary and artistic works through different channels. |
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| Keywords: | thinking in terms of images logic thinking literary and artistic works infiltration |
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