| 《聊斋志异 向杲》化虎复仇故事的中印文学渊源 |
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| 摘 要： | 《聊斋志异》向杲化虎复仇，是一种复仇主体精神压抑释放的奇特方式。化虎之后的人而虎，虎而人，虎外而人其内，使主人公向杲与“复仇相助者”合二为一，复仇主体具有了隐身和复仇的能力。化虎道具，在以往故事中即有。化异类以复仇，来自佛经故事的基本艺术机杼。在“六道轮回”的佛教理念中，前世仇怨可在今世雪报，而报仇的复仇主体可能转世为某种动物。“虎皮”，与其他相关道具一并得蒙蒲松龄青目，也可能模仿了佛经叙事。佛教生死观也被吸收融合，幻化故事为之更具有文学魅力。
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| 关 键 词： | 蒲松龄 复仇 变身母题 佛经故事 中印交流 |
The India - Chinese Literature Source of the Story by Changed Tiger for Revenge in Liao Zhai Zhi Yi---Xiang Nie |
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| Abstract: | The revenge mode that Xiang Nie changes to tiger is a special mode that spirit was pressed in Liao Zhai Zhi Yi. The men who change to tiger is a man who has a tiger’s appearance, which made a integer between Xiang Nie and his revenge aid. The revenger have hidden and revenge ability. The changed tigar’s prop appears in the past story. Changed to heteromorphism for revenge comes from artistic technique of Sutra story. In the Buddhism idea of six metempsychosis, preexistence hatred was achieved in the secular, while the revenger may change to some animals. The tiger’s skin and the other props were paid attention to by Pu Songling, which simulated the Sutra narrate. While the life and death idea was absorb in, which made the magic change story having literature fascination. |
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| Keywords: | Pu Songling revenge the changed body motif the Sutra story India-Chinese exchange |
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| 点击此处可从《华南师范大学学报(社会科学版)》浏览原始摘要信息 |
