| 东北民间美术的传承与发展 |
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| 引用本文： | 张景明.东北民间美术的传承与发展[J].楚雄师范学院学报,2014(12):89-93. |
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| 作者姓名： | 张景明 |
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| 作者单位： | 大连大学,辽宁大连,116622 |
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| 基金项目： | 2012年教育部人文社会科学研究规划基金项目《东北地区民间美术类非物质文化遗产的现状、保护与开发研究》阶段性成果，批准号12 YJA760090。 |
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| 摘 要： | 东北地区有众多的民族,其中汉族、满族、蒙古族、朝鲜族等民族的文化源远流长,加之地域特色的诸多民间美术形式都有其自身的发展渊源和传承方式,并与其他地区诸民族文化和民间美术有着双向交流。民间美术在传承过程中本着本真性和原生态的原则,以活态的形式延续下来,目前的状况是多数遗产面临濒危,有的虽然已经普及,但能否正常坚持传承下去还是令人担忧。正因为这种双向的交流,在民间美术方面呈现出文化多样性的内涵,并在传统的基础上进行了创新与发展。
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| 关 键 词： | 东北地区 民间美术 传承与发展 |
On Inheritance and Development of Folk Art in Northeast China |
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| ZHANG Jingming.On Inheritance and Development of Folk Art in Northeast China[J].journal of chuxiong normal university,2014(12):89-93. |
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| Authors: | ZHANG Jingming |
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| Institution: | ZHANG Jingming ( Dalian University, Dalian, 116622, Liaoning Province) |
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| Abstract: | There are many nationalities in northeast area,the Han,Manchu,Mongolia,Korean and other national culture has a long history,coupled with the regional features of folk art forms have the origin and the mode of inheritance of its own,and a two-way communication with the rest of the national culture and folk art. Folk art in the process of inheritance in the true and original ecological principles,as a vivid form survives,the current situation is most heritage in danger,although some of them have been popular, but can be normal to pass or worrying. Because of this kind of two-way communication,presents the conno-tation of cultural diversity in the folk art,and the innovation and development on the basis of the traditional. |
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| Keywords: | The northeast region Folk Art Inheritance and development |
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