| 论《牡丹亭》中杜丽娘的形象 |
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| 引用本文： | 张瀚池.论《牡丹亭》中杜丽娘的形象[J].阜阳师范学院学报(社会科学版),2013(4):58-61. |
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| 作者姓名： | 张瀚池 |
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| 作者单位： | 安徽大学历史系 |
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| 摘 要： | 杜丽娘是明代剧作家汤显祖在《牡丹亭》中成功塑造的女性形象,在她身上寄托了作者的至情理想。强烈的自我意识的觉醒,使深居闺阁中的她冲破了封建伦理的束缚,大胆的去追寻爱和幸福,她成为了中国古代女子与"命运"抗争的先驱和代表。同时,她又是一个矛盾的结合体,人性的舒展和理学的禁锢在她身上交织着。情与理的矛盾冲突,直指封建社会下程朱理学对人性的压抑和摧残。从其人物形象中透露出的对人性和生命的独立的思考,具有普遍的社会意义,立足于当下也有颇多借鉴之处。
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| 关 键 词： | 《牡丹亭》 杜丽娘 自我意识 情 理 社会性 |
Analysis of the Image of Du in Peony Pavilion |
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| ZHANG Han-chi.Analysis of the Image of Du in Peony Pavilion[J].Journal of Fuyang Teachers College(Social Science Edition),2013(4):58-61. |
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| Authors: | ZHANG Han-chi |
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| Institution: | ZHANG Han-chi(Department of History,Anhui University,Hefei 230039,Anhui) |
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| Abstract: | Du is a successfully created woman image,on whom the playwright Tang embodies his emotional ideal,in Peony Pavilion in the Ming Dynasty.The strong self-consciousness makes the secluded boudoir Du break the bond of feudal ethics to pursue love and happiness,which makes her the fighting pioneer and representative of China's ancient women.At the same time,she is also a combination of contradictions,with the strech of humanity and the bond of rationalism intertwined with each other.The conflict between reason and emotion points directly to the oppression and devastation of Neo-Confucianism on human beings in the feudal society.The independent thinking of humanity and life revealed in the characters has the wide social significance and the enlightenment for the current society. |
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| Keywords: | Peony Pavilion Du Self-awareness emotion reason social acceptance |
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