| 油画民族化的一种当代形式——表现主义绘画与中国写意绘画的结合 |
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| 引用本文： | 欧鸿君.油画民族化的一种当代形式——表现主义绘画与中国写意绘画的结合[J].南昌教育学院学报,2011,26(4):34+36-34,36. |
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| 作者姓名： | 欧鸿君 |
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| 作者单位： | 深圳市石厦中学,深圳福田,518000 |
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| 摘 要： | 油画作为一个外来画种在中国被逐渐接收,并出现了油画民族化.将表现主义绘画、新表现主义和中国写意绘画在形式和精神上找到了自我的契合点,使自己的作品既具备油画的厚重和色彩表现力,同时又具有中国写意精神的表达方式.从而创作出个人风格突出的绘画,客观上形成了油画民族化中一种新的形式.本文就重点探讨油画民族化的一种当代形式,表现主义绘画与中国写意绘画的结合问题.
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| 关 键 词： | 油画民族化 表现主义绘画 中国写意绘画 结合 |
A contemporary form of oil painting nationalization——Combination of expressionist painting and Chinese freehand painting |
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| Ou Hong-jun.A contemporary form of oil painting nationalization——Combination of expressionist painting and Chinese freehand painting[J].Journal of Nanchang College of Education,2011,26(4):34+36-34,36. |
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| Authors: | Ou Hong-jun |
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| Institution: | Ou Hong-jun(Shenzhen Shixia Middle School,Futian Shenzhen,518000,China) |
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| Abstract: | The oil painting are gradually receiving as an alien in China,and the oil painting nationalization emerges.It makes expressionist paintings,Neo-Expressionism and Chinese freehand painting find the meeting point of self in the form and spirit,their works are not only have the heavy oil and color performance,but also have the expression of Chinese freehand spirit.So that creating prominent paintings with personal style,forming a new style of oil painting nationalization.This article focuses on a contemporary ... |
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| Keywords: | oil painting nationalization expressionist painting Chinese freehand painting combination |
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