| 论中国古典诗歌的宏观走向 |
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| 引用本文： | 张元.论中国古典诗歌的宏观走向[J].伊犁教育学院学报,2006,19(1):38-41. |
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| 作者姓名： | 张元 |
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| 作者单位： | 北京教育学院,北京,100011 |
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| 摘 要： | 我国古典诗歌最早形成的文学样式就是诗歌。古典诗歌经过几千年的发展,形成了自己的形式,并形成与新诗相链接的趋势,这就是古典诗歌从松散走向格律化又向非格律的松散化发展。正因为有了这种发展,才使得古诗与新诗顺利地对接,甚至将在今后一定时期相互融合,形成诗歌新的发展方向与新的诗歌形式。
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| 关 键 词： | 古典诗歌 新诗 松散化 融合 |
| 文章编号： | 1009-0487（2006）01-0038-04 |
| 收稿时间： | 2005-03-04 |
| 修稿时间： | 2005-03-04 |
Discuss the Macro-trend of the Ancient Chinese Poem |
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| ZHANG Yuan.Discuss the Macro-trend of the Ancient Chinese Poem[J].Journal of Yili Education College,2006,19(1):38-41. |
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| Authors: | ZHANG Yuan |
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| Institution: | Beijing Institute of Educatio, Beijing 100011, China |
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| Abstract: | The ancient Chinese poem has a long history.It is the earliest form of the literature.Ancient poem developed for years and had its own trend:first turned class and plain style into fixed style,and then turned fixed style into loose style into loose style,finally linked up with the new poem. |
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| Keywords: | ancient poem classical and plain style loose style link up |
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