| 论《到灯塔去》的艺术形式 |
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| 引用本文： | 梁超.论《到灯塔去》的艺术形式[J].唐山师范学院学报,2006,28(1):32-34. |
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| 作者姓名： | 梁超 |
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| 作者单位： | 河北大学,外国语学院,河北,保定,071002 |
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| 摘 要： | 伍尔夫在小说的艺术形式方面表现出非常独特的创造性和开拓性,她创造了新的人物塑造模式,在叙事方式上放弃了传统的“全知全能的叙述”,由作家的个人叙述转变为多视角叙述方式;她还运用人物自由联想、象征主义等艺术形式,给读者提供了清新的视野。这些艺术形式在她的意识流小说《到灯塔去》中得到了很好的运用。
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| 关 键 词： | 自由联想 象征主义 多视角叙述 |
| 文章编号： | 1009-9115(2006)01-0032-03 |
| 收稿时间： | 06 23 2005 12:00AM |
| 修稿时间： | 2005年6月23日 |
On the Artistic Style of To the Lighthouse |
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| LIANG Chao.On the Artistic Style of To the Lighthouse[J].Journal of Tangshan Teachers College,2006,28(1):32-34. |
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| Authors: | LIANG Chao |
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| Institution: | School of Foreign Language, Hebei University, ltebei Baoding 071002, China |
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| Abstract: | Woolf was very original, creative and pioneering in the aspect of artistic style. She created new model of characterization. As to the narrative style, she abandoned traditional omniscient and omnipotent narration. Instead she employed multiple viewpoints. In addition to this, she also used free association and symbolism. All these were well expressed in her novel To the Light House. |
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| Keywords: | free association symbolism multiple viewpoints |
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