| 对传统绘画图式的思考 |
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| 引用本文： | 曲春林.对传统绘画图式的思考[J].信阳师范学院学报(哲学社会科学版),2006,26(5):77-79,103. |
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| 作者姓名： | 曲春林 |
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| 作者单位： | 安阳工学院,艺术设计系,河南,安阳,455000 |
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| 摘 要： | 由中国文化积淀而成的传统绘画图式,已经演化为一种恒定的审美惯性并完全渗透到了我们民族的血液之中,是不可能被西方文化背景下建立起来的审美意识所取代的。所以,我们在继承与创新的抉择中,对传统绘画图式潜在的本质规律进行深入地研究,有助于我们更加清晰地认识中西方文化艺术之间的差异,同时,也有助于我们在建立新时代绘画图式的过程中保持住鲜明的民族特色。
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| 关 键 词： | 汉民族 中国绘画图式 西方绘画图式 特征 |
| 文章编号： | 1003-0964（2006）05-0077-03 |
| 收稿时间： | 04 16 2006 12:00AM |
| 修稿时间： | 2006-04-16 |
Reflection of the Traditional Painting Schema |
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| QU Chun-lin.Reflection of the Traditional Painting Schema[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2006,26(5):77-79,103. |
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| Authors: | QU Chun-lin |
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| Institution: | Dept. of Artistic Design, Anyang Institute of Technology, Anyang 455000, China |
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| Abstract: | The traditional painting schema,which comes from the longterm Chinese culture,has completely become a part of Chinese national identity and it gradually develops into an ordinary way of aesthetic appreciation.It will also never be replaced by western aesthetic appreciation that becomes into being in a completely different environment.Therefore,in the choice between inheritance and creativity,a thorough study on the inner essence of traditional painting schema can help us have a clear idea of the difference between Chinese and Western art,and it also helps us keep vivid national characteristics during the process of establishing the modern painting schema. |
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| Keywords: | nationality painting schema western times character |
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