| 《毛诗正义》的编次观 |
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| 引用本文： | 韩宏韬.《毛诗正义》的编次观[J].河北师范大学学报(哲学社会科学版),2009,32(1):88-92. |
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| 作者姓名： | 韩宏韬 |
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| 作者单位： | 河南科技大学,文法学院,河南,洛阳,471003 |
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| 摘 要： | 与传统《诗》学不同,初唐《毛诗正义》重视利用《诗经》文本的编排次序阐发大义,将编诗与作诗区别开来,注意到作者（诗人）、编者（太师）和序者等关涉文本的诸多因素,认为《诗经》的体系与思想,决不可能是作者一人所为,而是经过从诗人到编者,再到序者等不同时期的历史积淀。在这种客观认识的基础上,赋予编次以经学大义,不仅拯救了《诗》学权威,而且使《诗经》的文学性在经学的背景上凸现出来。自此,编次便成为《诗经》学史上的热点问题。
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| 关 键 词： | 孔颖达 毛诗正义 编次观 |
On the compilation of the Rectification of Mao's Poetry |
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| Han Hongtao.On the compilation of the Rectification of Mao's Poetry[J].Journal of Hebei Normal University(Philosophy and Social Science),2009,32(1):88-92. |
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| Authors: | Han Hongtao |
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| Institution: | School of Chinese;Henan University of Science and Technology;Luoyang;Henan 471003;China |
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| Abstract: | The compilation of Rectification of Mao's Poetry in Tang differs from any other classic work of poetry,while it favors the compilation of Book of Songs.The writer of this paper notices the poets and masters,but assumes that the compilation of Rectification of Mao's Poetry reflects the historical continuity of the poets,and compilors in the course of history.This is considered as supportive of the academic authorities,but literary features stand out.So it is a hot topic for the compilation of Book of Songs. |
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| Keywords: | Kong Yingda Rectification of Mao's Poetry compilation |
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