| 中国作品演唱的审美心理结构与音乐思维 |
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| 引用本文： | 李晓红.中国作品演唱的审美心理结构与音乐思维[J].新疆教育学院学报,2008,24(3):139-140. |
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| 作者姓名： | 李晓红 |
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| 作者单位： | 新疆教育学院艺术分院声乐教研室,新疆,乌鲁木齐,830043 |
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| 摘 要： | 中国音乐作品的实践，是以主观感受的产生为基础，然后体验艺术作用于主体所产生的认识。人的主观情感和心理思绪是审美的原动力，是音乐思维的核心，它渗透于感受、认知、想象、理解诸因素之中，形成良好的审美情感，从而对音乐的作品作出更好的表现设计。
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| 关 键 词： | 心理结构 音乐思维 思维基础 |
Aesthetic Mental Structure and Musical Thought in Singing in a Performance of Chinese Musical Works |
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| Li Xiaohong.Aesthetic Mental Structure and Musical Thought in Singing in a Performance of Chinese Musical Works[J].Journal of Xinjiang Education Institute,2008,24(3):139-140. |
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| Authors: | Li Xiaohong |
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| Institution: | Li Xiaohong(Vocal Music Teaching , Research Section,School of Arts,Xinjaing Education Institute,Urumqi 830043,Xinjaing) |
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| Abstract: | The practice in Chinese musical works is based on the creation of subjective feeling,and then the experience of art has an effect on the knowledge acquired by the subject.People's subjective emotion and psychological thinking are the motive power of appreciating the beauty and the core of musical thought.They are infiltrated into such factors as experience,cognition,imagination and comprehension,arousing a good aesthetic emotion and thus working out better expressive designs for musical works. |
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| Keywords: | mental structure musical thought basis of thinking |
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