| 印象主义作曲家德彪西——兼论德彪西钢琴作品的主要创作手法 |
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| 引用本文： | 王卉.印象主义作曲家德彪西——兼论德彪西钢琴作品的主要创作手法[J].安阳师范学院学报,2009(4):122-125. |
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| 作者姓名： | 王卉 |
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| 作者单位： | 肇庆学院,音乐学院,广东,肇庆,526061 |
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| 摘 要： | 印象主义音乐是西方音乐史上的一个重大转折，它结束了古典主义和浪漫主义的一统天下，开创了西方音乐史的崭新阶段。印象主义音乐创始人德彪西将音乐建立在社会发展的全新观念之上，以其特有的音乐天分和艺术旨趣，将作曲家观察客体所得的瞬间印象融人音乐作品之中，酣畅淋漓地演绎出印象主义音乐的鲜明特点。他在钢琴作品中运用的和声、力度、触键、踏板等多种创新手法，不仅准确、完美地表达了印象主义音乐的独特个性，并且促使印象主义音乐逐渐成为世界音乐史上彪炳史册的艺术流派。
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| 关 键 词： | 印象主义 德彪西 印象主义音乐 创作手法 |
Impressionistic Composer Achille-Claude Debussy |
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| WANG Hui.Impressionistic Composer Achille-Claude Debussy[J].Journal of Aayang Teachers College,2009(4):122-125. |
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| Authors: | WANG Hui |
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| Institution: | WANG Hui (Music School, Zhaoqing University, Zhaoqing 526061, China) |
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| Abstract: | Impressionistic music marked the turning point of the western music history which broke through the monopoly position of classicism and romanticism and created an brand new era. Debussy, the originator of impressionistic music, based music with new concept of social development. He integrated the composer＇s instant impression into music with his music telents and art interests. In his piano works, various creative techniques such as harmony, dynamics, key - touch and pedaling were applied, which presented unique features of impressionistic music and made a popular school in music community. |
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| Keywords: | impressionism Debussy impressionistic music creating techniques |
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