| 从原始文化看华夏先民的审美追求 |
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| 引用本文： | 翁银陶.从原始文化看华夏先民的审美追求[J].福建师范大学学报(哲学社会科学版),2004(2):49-52. |
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| 作者姓名： | 翁银陶 |
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| 作者单位： | 福建师范大学文学院,福建福州,350007 |
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| 摘 要： | 本文主要论述华夏先民的三大审美追求:一,追求形式美与抽象美的结合.华夏先民在石器打造中产生形式美的追求,而后又将此种追求与从写实美发展而来的对抽象美的追求相融合.二,追求写实美与神秘美的结合.华夏先民在劳动、生活中产生对写实美的追求,而后这种写实艺术又被宗教巫术所利用,因而形成对写实美与神秘美相融合的新的审美追求.如人兽合一、人鸟合一的神之形象的创造.三,追求审美与实际功用的结合.原始人没有单纯的审美追求,所有的审美追求都是与实际功用的追求结合在一起的,如华夏先民的文身,既是为了保护自身,也是为了美的装饰.
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| 关 键 词： | 形式美与抽象美 写实美与神秘美 审美与实际功用 |
| 文章编号： | 1000-5285(2004)02-0049-04 |
| 修稿时间： | 2003年2月21日 |
From the Primitive Culture Point Viewing of Chinese ancestor's Aesthetic Pursuit |
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| WENG Yin-tao.From the Primitive Culture Point Viewing of Chinese ancestor''''s Aesthetic Pursuit[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2004(2):49-52. |
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| Authors: | WENG Yin-tao |
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| Abstract: | this article mainly discusses three aesthetic pursuits of Chinese ancestor, namely, first of all, the combination of pursuing formalistic beauty and abstractive beauty. During chipping stone implement, the Chinese ancestor produced the formalistic beauty, then, merging it with abstractive beauty, which developed from the beauty of realism. Secondly, the combination of pursuing realistic beauty and mysterious beauty. In the labor and daily life, the Chinese ancestor produced the pursuit of the realistic beauty, and then it was used by religion sorcery. As a result, it came into being new aesthetic judgment of the fusion of realistic beauty and mysterious beauty, such as the merger of human and beast, the god image creation of human and bird's merger. Thirdly, the combination of the aesthetic pursuit and practical function. The primitive man had no pure aesthetic judgment pursuit, and all the aesthetic judgments were linked with the practical function, not only for protecting itself, but for the beauty's decorating. Such as the Chinese ancestor's tattoo. |
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| Keywords: | formalistic beauty and abstractive beauty realistic beauty and mysterious beauty aesthetic judgment and practical function |
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