| 由徽州三雕引发的思考 |
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| 引用本文： | 蒋波.由徽州三雕引发的思考[J].重庆教育学院学报,2012,25(3):171-172. |
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| 作者姓名： | 蒋波 |
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| 作者单位： | 重庆教育学院美术系,重庆,400067 |
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| 摘 要： | 徽州三雕与建筑紧密结合，彰显了徽州古文化之精髓，体现了实用与审美相结合的设计理念，并非为美而美。它的产生与“生存”有着丰厚的文化背景；题材丰富，形成了简洁淡雅的艺术风格；雕刻技艺高超，是徽州人民艺术与智慧的结晶；现代设计中的仿古或复古，不单是一种时尚，而应研究传统建筑装饰雕刻的精神与情韵。
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| 关 键 词： | 背景 技艺 仿古或复古 |
Reflection on the Anhui characterized sculpture |
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| JIANG BO.Reflection on the Anhui characterized sculpture[J].Journal of Chongqing College of Education,2012,25(3):171-172. |
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| Authors: | JIANG BO |
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| Institution: | JIANG BO(Art Department,Chongqing Education College,Chongqing 400067,China) |
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| Abstract: | Closely connected with architecture,the Anhui characterized sculpture shows to advantage the quintessence of Anhui ancient culture and embodies the design idea of practical and aesthetic combination,not to the only pursuit of beauty.Its production and survival had a rich cultural background;Its rich subject matter has formed a simple and elegant art style;The remarkable sculpture technique is the crystallization of Anhui people’s wisdom and art;The archaization or restoration in the modern design is not a kind of fashion,but the spirit and charm of decoration and sculpture of traditional architecture. |
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| Keywords: | background technique archaization or restoration |
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