| 从审美解读到民族精神的建构——郭沫若对儒家文化的阐释 |
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| 引用本文： | 陈晓春.从审美解读到民族精神的建构——郭沫若对儒家文化的阐释[J].四川师范大学学报(社会科学版),2006,33(2):64-70. |
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| 作者姓名： | 陈晓春 |
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| 作者单位： | 乐山师范学院,中文系,四川,乐山,614004 |
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| 摘 要： | 郭沫若一生崇儒,他对儒家文化精神进行了创造性的阐释,确立了原儒的基本精神为“动”的精神。从五四到抗战,郭沫若根据时代的需要,围绕儒家“动”的文化精神对儒家文化进行了更为具体的阐释,其阐释体现了从审美解读到民族精神建构的轨迹。
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| 关 键 词： | 郭沫若 原儒精神 民族精神 《女神》 抗战历史剧 |
| 文章编号： | 1000-5315（2006）02-0064-07 |
| 收稿时间： | 2005-05-12 |
| 修稿时间： | 2005年5月12日 |
From Aesthetic Interpretation to National-Spirit Construction |
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| CHEN Xiao-chun.From Aesthetic Interpretation to National-Spirit Construction[J].Journal of Sichuan Normal University(Social Science Edition),2006,33(2):64-70. |
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| Authors: | CHEN Xiao-chun |
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| Institution: | Chinese Department, Leshan Teachers College, Leshan, Sichuan 614004, China |
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| Abstract: | Guo Moruo esteems Confucianism all his life.He creatively interprets Confucian cultural spirit and establishes the spirit of "dynamic" as the basic spirit of original Confucianism.From the "May 4th" movement to the Anti-Japanese War,Guo Moruo makes a more specific and clear interpretation of Confucian culture centering on its "dynamic" cultural spirit according to the needs of the time,which shows the trace from an aesthetic interpretation to a construction of national spirit. |
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| Keywords: | Guo Moruo original Confucianism national spirit NUshen Anti-Japanese War historical drama |
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