| 羌族服饰的特点及其历史探源 |
| |
| 引用本文： | 易子琳.羌族服饰的特点及其历史探源[J].成都师专学报,2014(4):10-13. |
| |
| 作者姓名： | 易子琳 |
| |
| 作者单位： | 西华大学艺术学院,四川成都610039 |
| |
| 基金项目： | 四川省哲学社会科学重点研究基地“羌学研究中心”2013年度课题（项目编号：QXY1305） |
| |
| 摘 要： | 羌族服饰文化是中国众多民族服饰文化中的一朵奇葩,它以独特的审美情趣与审美韵味出现在民族文化舞台上。羌族作为最古老的民族之一,同时也作为许多民族的前身,其服装造型、纹样、色彩等都具有深刻的文化内涵;羌族服饰图案来源于宗教崇拜思想、生产劳动和娱乐游戏中,这些因素构成了今天羌族服饰的文化状态,体现了目前羌族服饰文化中的稳定性、独特性、民族性和个性化的审美内涵。本文对几个不同地区的羌族服饰形态进行了简单总结,并对其所包含的宗教思想以及历史成因作了分析。
|
| 关 键 词： | 羌族 服饰 历史文化 |
On the Characteristics of the Qiang Costumes and Its History |
| |
| YI Zi-lin.On the Characteristics of the Qiang Costumes and Its History[J].Journal of Chengdu Teachers College,2014(4):10-13. |
| |
| Authors: | YI Zi-lin |
| |
| Institution: | YI Zi-lin ( School of Art, Xihua University, Chengdu, Sichuan, 610039, China) |
| |
| Abstract: | Qiang＇s dress culture, which shows a kind of special aesthetic sentiment and aesthetic taste, is an exotic flower of the Chinese national dress culture. Qiang, even as the grandfather of many nationalities, is one of ancient nations, so its design, pattern and color of costumes contain deep culture connotation. The pattern design of Qiang costume comes from worshiping religion, taking up productive labor and participating in entertainment activities, which form today＇s Qiang dress culture and reflect its stability, specificity, nationality and personalized aesthetic connotation. This paper, on the basis of a simple conclusion of Qiang＇s dress in different areas, analyses the religious thoughts and its historical origin, which are reflected from Qiang dress patterns. |
| |
| Keywords: | Qiang dress historical culture |
| 本文献已被 维普 等数据库收录！ |
|
