| 残雪与贝克特 |
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| 引用本文： | 南志刚.残雪与贝克特[J].渭南师范学院学报,2005,20(1):53-56. |
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| 作者姓名： | 南志刚 |
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| 作者单位： | 苏州大学,文学院,江苏,苏州,215021 |
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| 摘 要： | "先锋文学"是西方现代主义文学与中国新时期"文明情境"相结合的产物,残雪作为"先锋文学"的代表作家,就深深地受到荒诞派文学的影响。比较《公牛》、《旷野里》等文本和贝克特的代表作《等待戈多》,可以透视残雪对西方现代主义文学的"技术层面"的学习和吸纳。
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| 关 键 词： | 残雪 贝克特 叙事语言 中心意象 叙事场景 |
| 文章编号： | 1009-5128(2005)01-0053-04 |
| 修稿时间： | 2004年3月25日 |
Can Xue and Beckett |
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| NAN Zhi-gang.Can Xue and Beckett[J].Journal of Weinan Teachers College,2005,20(1):53-56. |
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| Authors: | NAN Zhi-gang |
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| Abstract: | "Avant-garde Literature" appears to be the product of contemporary western literature in combination with a Chinese "civilization situation" in the new period. Protruding as a representative "Avant-garde" writer in China, Can Xue is obviously subject to the influence of "the theater of the absurd". What's more, some of her works, take The Bull and In the Wildness for instance, bear amazing similarities with Waiting for Godot of Beckett in respect of narrative structure, major image creation, narration and setting, etc. Approaching from an analysis of these works, this paper intends to shed a light into Can's way of borrowing from the contemporary western literature in a technique aspect. |
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| Keywords: | Can Xue Beckett narration major image setting |
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