| 细节,脸谱化的油彩——曹操形象塑造艺术论之三 |
| |
| 引用本文： | 陈松柏.细节,脸谱化的油彩——曹操形象塑造艺术论之三[J].广东技术师范学院学报,2006(5):81-85. |
| |
| 作者姓名： | 陈松柏 |
| |
| 作者单位： | 广东技术师范学院 广东广州510665 |
| |
| 摘 要： | 曹操是一个众所周知的白脸奸臣,这首先得归功于《三国演义》,是《三国演义》中一个个着意丑化曹操的生动细节,凝聚为这张白脸上光亮的油彩。
|
| 关 键 词： | 曹操 细节 脸谱化 油彩 |
| 文章编号： | 1672-402X（2006）05-0081-05 |
| 收稿时间： | 2006-02-20 |
| 修稿时间： | 2006年2月20日 |
Details——Colors of Facial Mask- Making-up of Cao Cao's Image(Ⅲ) |
| |
| Chen Songbo.Details——Colors of Facial Mask- Making-up of Cao Cao''''s Image(Ⅲ)[J].Journal of Guangdong Polytechnic Normal University,2006(5):81-85. |
| |
| Authors: | Chen Songbo |
| |
| Institution: | Guangdong Polytechnic Normal Univ., Guangzhou 510665, China |
| |
| Abstract: | Cao Cao is a mean official known to the public,and this is due to The Romance of Three Kingdoms,Cao Cao is carefully depicted and distorted as an evil in every detail.And all those measures are concentrated upon his white facial mask oily painted. |
| |
| Keywords: | Cao Cao detail facial_masking oil color |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
