| 南北文化融合与词体的确立 |
| |
| 引用本文： | 赵山林.南北文化融合与词体的确立[J].华东师范大学学报(哲学社会科学版),2001,33(4):3-8. |
| |
| 作者姓名： | 赵山林 |
| |
| 作者单位： | 华东师范大学中文系,上海,200062 |
| |
| 摘 要： | 词体是在南北化融合的过程中确立的，从词与音乐的关系来看，由胡夷，里巷之曲演变而来的词调存在着南北两方面的来源；从记号的产地来看，可以说是南北兼有，而以城市特别是长安，洛阳，扬州，成都等大城市为中心；从作家的创作道路来看，早期词人是北人，南人兼有，他们大多曾经南北漫游，吸收了南北化特别是音乐的滋养，这对他们词的创作产生了深刻的影响。
|
| 关 键 词： | 文化融合 词体 词 音乐 词史 南方文化 北方文化 词人 |
| 修稿时间： | 2001年3月1日 |
The Cultural Fusion of North and South China and the Establishment of the Ci Poetic Genre |
| |
| ZHAO Shan - lin.The Cultural Fusion of North and South China and the Establishment of the Ci Poetic Genre[J].Journal of East China Normal University :Philosophy and Social Sciences Edition,2001,33(4):3-8. |
| |
| Authors: | ZHAO Shan - lin |
| |
| Institution: | ZHAO Shan - lin |
| |
| Abstract: | The Ci poetic genre was established during the process in which the Northern and Southern Chinese cultures were merged into one. Three facts can illustrate this: from a musical point, the Ci tune derived from folk music had two different sources, North and South China; from a location point, the Ci poetry was produced in both North and South, centred around such main towns as Chang an and Loyang in the North and Yangzhou in the South; from a poetic point, the earlier Ci writers were from both North and South, and most of them traveled widely and were nourished with both Northern and Southern cultures. |
| |
| Keywords: | Northern and Southern cultures merge the Ci poetic genre establishment |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
