| 李白歌行特征论——兼论歌行的诗体定义与形式特点 |
| |
| 引用本文： | 马承五.李白歌行特征论——兼论歌行的诗体定义与形式特点[J].华中师范大学学报(人文社会科学版),2002,41(6):61-66. |
| |
| 作者姓名： | 马承五 |
| |
| 作者单位： | 华中师范大学,文学院,湖北,武汉,430079 |
| |
| 摘 要： | 本文以七言古诗、乐府与“歌行体”的关系为切入点 ,从唐前歌行体的演化历程及其发展阶段 ,对唐代最终成型的新兴诗歌样式“歌行体”的诗体定义和形式特点作了界定与阐述。在此基础上 ,通过对李白的歌行的考察与确认 ,论析了其歌行以“主体性”为内核的表现形态和艺术特征 ,从而肯定了李白歌行的创作成就与文学地位
|
| 关 键 词： | 李白歌行 主体性 诗体定义 形式特点 |
| 文章编号： | 1000-2456(2002)06-0061-06 |
| 修稿时间： | 2002年7月18日 |
On the Characteristics of Li Ba's Poems Set to Music |
| |
| MA Cheng,wu.On the Characteristics of Li Ba's Poems Set to Music[J].Journal of Central China Normal University(Humanities and Social Sciences),2002,41(6):61-66. |
| |
| Authors: | MA Cheng wu |
| |
| Abstract: | From the perspective of the relationship of the seven word old style poems, the collection of songs and poems in the ancient times and the style of poems that can be set to music, this paper, through the discussion and observation of Li Ba's poems, analyzes the expressing form of his poems that can be set to music takes "subjectivity" as its core and characteristics, which affirms Li Ba's creation achievements and his status in literature. |
| |
| Keywords: | Li Ba's poems set to music subjectivity the definition of poem style the characteristics of the form |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
| 点击此处可从《华中师范大学学报(人文社会科学版)》浏览原始摘要信息 |
| 点击此处可从《华中师范大学学报(人文社会科学版)》下载免费的PDF全文 |
|
