| 来自东方的视角——论李安电影文化思想 |
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| 引用本文： | 姜玮,姜献生.来自东方的视角——论李安电影文化思想[J].柳州职业技术学院学报,2006,6(4):85-89. |
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| 作者姓名： | 姜玮 姜献生 |
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| 作者单位： | 1. 北海艺术设计职业学院,广西,北海,536000
2. 柳州职业技术学院,宣传部,广西,柳州,545006 |
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| 摘 要： | 李安的东方家庭电影在众多东方导演的作品中脱颖而出,根本原因是李安在用令人耳目一新的观念和手法来描绘家庭。同样的,李安也以十分独特的执导和驾驭,使得他的英语片《冰风暴》倍受赞誉。《喜宴》和《冰风暴》原本是完全不同的两个国家、两个民族、两个时代和两个文化的产物,但由于拥有一个共同的导演李安而使它们具有了一些相同的共性,这就是浸注其中的东方主义的哲学、伦理、文化的思想观念。
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| 关 键 词： | 李安 电影 文化 东方主义 |
| 文章编号： | 1671-1084(2006)04-0085-05 |
| 收稿时间： | 09 28 2006 12:00AM |
| 修稿时间： | 2006年9月28日 |
The Angle of View from the East ——On the Cultural Thought of Li An's Movies |
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| JIANG Wei,JIANG Xian-sheng.The Angle of View from the East ——On the Cultural Thought of Li An''''s Movies[J].Journal of Liuzhou Vocational & Technical College,2006,6(4):85-89. |
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| Authors: | JIANG Wei JIANG Xian-sheng |
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| Abstract: | Li An's oriental family films are the highlighted works among those made by many oriental directors.The basic reason for this is that Li An describes family stories by the use of new ideas and techniques.In the meantime,Li An causes his English film "The Ice Storm" to obtain the honor by a means of extremely unique directing techniques."The Wedding Banquet" and "The Ice Storm" were originally products of two completely different nations,races,times and cultures,but because of Li An,a single director,they can have something in common,i.e.the oriental philosophy,ethics,cultural ideas. |
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| Keywords: | Li An's film cultural thought oriental philosophy |
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