| 视唱中唱名法刍议 |
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| 引用本文： | 张彤.视唱中唱名法刍议[J].沈阳教育学院学报,2011(6):62-64. |
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| 作者姓名： | 张彤 |
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| 作者单位： | 沈阳大学音乐学院,辽宁沈阳,110044 |
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| 摘 要： | 介绍了首调和固定调两种唱名法的概念及其特点，阐述了唱名法在视唱练耳课程中的重要性。针对目前在视唱教学和学习中运用单一唱名法的问题，结合笔者多年的教学实践经验，提出了加强两种唱名法有机结合的策略，指出艺术类音乐院校的学生在学习中应坚持两种唱名法并存，加强视唱和听记的“方法”训练，使学生在音高音准、演唱方式、调式分析以及音乐表现等方面的综合能力得到全面提高。
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| 关 键 词： | 视唱练耳 首调唱名法 固定唱名法 |
On Solmization in Sightsinging |
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| ZHANG Tong.On Solmization in Sightsinging[J].Journal of Shenyang College of Education,2011(6):62-64. |
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| Authors: | ZHANG Tong |
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| Institution: | ZHANG Tong(Music College,Shenyang University,Shenyang 110044,China) |
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| Abstract: | The concepts and characteristics of two kinds of solmization--＂movable do＂ and ＂fixed do＂--are introduced. The importance of solmization in solfeggio course. According to the present problem of applying a single solmization in sightsinging teaching and learning, the strategy of strengthening the dynamic integration of the two kinds of solmization is proposed. It is pointed out that students of music college in art schools should apply both of the two kinds of solmization and enhance the ＂method＂ practice of sightsinging, listening and remembering so as to improve their comprehensive ability in all aspects including pitch, intonation, the way to sing, the analysis of mode and the musical expression. |
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| Keywords: | solfeggio ＂movable do＂ ＂fixed do＂ |
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