| 论《所罗门之歌》中的中产阶级黑人形象 |
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| 引用本文： | 任海燕.论《所罗门之歌》中的中产阶级黑人形象[J].湖南师范大学社会科学学报,2006,35(5):122-125. |
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| 作者姓名： | 任海燕 |
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| 作者单位： | 南京大学,外国语学院,江苏,南京,210008 |
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| 摘 要： | 《所罗门之歌》是托妮．莫里森的第一部获奖小说。通过分析小说对于中产阶级黑人戴德夫妇这一对安德森式畸形人的刻画，揭示了白人主流文化通过和平改造和高压手段实现对黑人思想进行控制，并且有力地传达了作家对于“黑人的完整人性”的坚定信念。
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| 关 键 词： | 主流文化 和平改造 高压手段 |
| 文章编号： | 1000-2529（2006）05-0122-04 |
| 收稿时间： | 2006-03-28 |
| 修稿时间： | 2006年3月28日 |
On Image of Black Middle Class in Song of Solomon |
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| REN Hai-yan.On Image of Black Middle Class in Song of Solomon[J].Journal of Social Science of Hunan Normal University,2006,35(5):122-125. |
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| Authors: | REN Hai-yan |
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| Institution: | School of Foreign Studies, Nanjing University, Nanjing, Jiangsu 210008, China |
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| Abstract: | Song of Solomon is Toni Morrison's first award novel.Through an analysis of the depiction of the Deads,a black middle class couple who are grotesques in the Andersonian sense,the essay attempts to reveal white mainstream culture's control over the black which is realized by means of peaceful transformation and high-handed measures.The portrayal of this couple helps to convey the novelist's belief in "the full membership in humanity for black people." |
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| Keywords: | mainstream culture peaceful transformation coercion |
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