| “女扮男装”与明清性别意识 |
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| 引用本文： | 张小波.“女扮男装”与明清性别意识[J].铜仁学院学报,2008,10(3):50-53. |
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| 作者姓名： | 张小波 |
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| 作者单位： | 上海师范大学,人文与传播学院,上海,200234 |
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| 摘 要： | “女扮男装”形象身上兼具了“阴柔美”和“文人化”两种气质，符合女性“文人化”和男性“女性化”的审美需要。当两种倾向发展到明清时被普遍接受，也有其深层的原因。随着两种倾向的发展，“女扮男装”故事到清时也成为一种固定的模式。但传统的性别意识，性别角色又影响了不同性别作家笔下的故事演绎和形象描摹。
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| 关 键 词： | 女扮男装 性别意识 性别角色 |
Women Disguised As Men And Gender Consciousness Of Ming And Qing Dynasties |
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| ZHANG Xiao-bo.Women Disguised As Men And Gender Consciousness Of Ming And Qing Dynasties[J].Journal of Tongren University,2008,10(3):50-53. |
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| Authors: | ZHANG Xiao-bo |
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| Institution: | ZHANG Xiao-bo ( The Humanities and Communication College, Shanghai Normal University, Shanghai, 200234, China ) |
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| Abstract: | The figures of women disguised as men have both feminine beauty and literati stylization at the same time,so they accord with aesthetic needs of female literati stylization and male feminization.There is the deep reason why the two tendencies developed and weren't received universally until Ming and Qing Dynasties.Following the development of the two tendencies,the stories of women disguised as men formed a fixed mode in Qing Dynasty,but traditional gender consciousness and role influenced the story deduction and the image delineation that the writers of different sex created. |
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| Keywords: | women disguised as men gender consciousness gender role |
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