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寓奇巧于平淡之中--南阳汉画像石艺术语言分析
引用本文:李国新,杨絮飞.寓奇巧于平淡之中--南阳汉画像石艺术语言分析[J].周口师范学院学报,2005,22(3):113-115.
作者姓名:李国新  杨絮飞
作者单位:浙江林学院,浙江,临安,311300
摘    要:南阳汉画像石构图疏朗、语言质朴、意境深远、主题浪漫,以其泼辣、豪放而自成风格.文章选取构图、艺术语言构成形式和意境这三个要点,通过三块具有代表性的画像石,对其艺术语言进行尝试性阐释;力求能够对其质朴中现新意、寓奇巧于平淡的艺术风格有更深刘的了解,达到古为今用的目的.

关 键 词:南阳汉画像石  艺术语言
文章编号:1671-9476(2005)03-0113-03
收稿时间:2004-12-02
修稿时间:2004年12月2日

Put the ingenuity into the pedestrian form --On the sculpting features of Nanyang Relieves left form the Han Dynasty
LI Guo-xin,YANG Xu-fei.Put the ingenuity into the pedestrian form --On the sculpting features of Nanyang Relieves left form the Han Dynasty[J].Journal of Zhoukou Normal University,2005,22(3):113-115.
Authors:LI Guo-xin  YANG Xu-fei
Abstract:Nanyang Stone Relieves (NSR),whose composition compendious, language modesty, artistic conception far-reaching,motif romantic. Because it's forceful , bold and unconstrained form are in the front rank. Penman choose three essentials: composition , artistic language form and artistic conception through three picture of NSA's delegates to elaborate attempt it's artistic language form .In order to understand deeply NSA's artistic color like modesty but bring forth new ideas, having pedestrian form but ingenuity.
Keywords:Nanyang Relieves left form the Han Dynasty  artistic language
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