| 论毛泽东对马克思主义文艺批评标准的中国化 |
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| 引用本文： | 杜春海.论毛泽东对马克思主义文艺批评标准的中国化[J].四川职业技术学院学报,2006,16(2):37-39. |
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| 作者姓名： | 杜春海 |
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| 作者单位： | 四川职业技术学院,四川,遂宁,629000 |
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| 摘 要： | 该文对毛泽东与恩格斯在文艺批评标准方面的联系与区别进行了比较研究,毛泽东在《延讲》中提出的“三统一”文艺批评标准是对恩格斯倡导的美学标准与史学标准的文艺批评理论的中国化,符合中国国情,对中国社会主义文学的建设与发展产生了深远影响,其间有得有失。
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| 关 键 词： | 毛泽东 恩格斯 文艺批评标准 中国化 |
| 文章编号： | 1672-2094（2006）02-0037-03 |
| 收稿时间： | 2006-01-20 |
| 修稿时间： | 2006年1月20日 |
About Mao Zedong's Standard of Criticism to Marxism |
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| DU Chunhai.About Mao Zedong''''s Standard of Criticism to Marxism[J].Journal of Sichuan Vocational and Technical College,2006,16(2):37-39. |
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| Authors: | DU Chunhai |
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| Abstract: | The thesis has carried on the comparative research to the connection and differences on the art crinicism standard between Mao Zedong and Engels. The art criticism standard of "three unifications"in "The Speech at the Forum on Literature and Art in Yanan" by Mao Zedong is to sinicize the literature and art critical theory of the aesthetics and historiography standard advocated by Engels, which accords with the China's actual conditions and has exerted a profound influence on the construction and development of China's socialist literature; and there are gains and loses during the process. |
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| Keywords: | Mao Zedong Engels Art Criticism Standard Sinicize |
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