| 审美·民族·现代——沈从文创作中的审美主义与现代性问题 |
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| 引用本文： | 姜峰.审美·民族·现代——沈从文创作中的审美主义与现代性问题[J].北京教育学院学报,2005,19(1):37-41. |
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| 作者姓名： | 姜峰 |
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| 作者单位： | 北京师范大学文学院,北京,100875 |
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| 摘 要： | 在中国现代文学史上,沈从文的创作对生存经验的复杂观照和对审美体验的丰富传达,使文本具有一种新旧杂陈的繁复的美感内涵,建立起审美主义的多重视野。沈从文的湘西风情小说,民族性与现代性合二为一,其现代性借民族性来实现,民族性在现代性中获得存在的理由。他的存在意义在于,对中国的现代性选择而言,是一种丰富和补充。
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| 关 键 词： | 审美主义 民族性 现代性 |
| 文章编号： | 1008-228(2005)01-0037-05 |
| 修稿时间： | 2004年10月21日 |
The Aestheticism and Modernity in Shen Congwen's Creations |
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| JIANG Feng.The Aestheticism and Modernity in Shen Congwen''''s Creations[J].Journal of Beijing Institute of Education,2005,19(1):37-41. |
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| Authors: | JIANG Feng |
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| Abstract: | In Chinese modern literature history, Shen Congwen's creations have a kind of sophisticated aesthetics and build multiple eyeshot through the observation to the life and aesthetics experiences. His fictional works on Xiangxi unify the nationality and modernity. That is, the two qualities have completed by each other. The values of Shen Congwen and his creations lie in the role of enrichment and complement to Chinese modernity choices. |
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| Keywords: | aestheticism nationality modernity |
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