| 感性,理性——萨特美学两维 |
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| 引用本文： | 秦刚,周帆.感性,理性——萨特美学两维[J].六盘水师范高等专科学校学报,2006,18(2):66-68. |
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| 作者姓名： | 秦刚 周帆 |
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| 作者单位： | 1. 贵州大学中文系,贵阳,550025
2. 遵义师范学院中文系,贵州,遵义,563002 |
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| 摘 要： | 萨特美学因其以个性生命体验,关心人的精神状态和心理发展趋向被界定为非理性的美学。萨特将意识还原到前反思的状态,运用现象学方法揭示人的现实生存境遇,反映人的主观心理状况,使他的美学处处闪耀着感性的光芒。但是其有关自为何以可能与自在相遇及文艺功用观的思想,表明他仍然没有摆脱理性的束缚。其美学也仍然保持着浓厚的理性色彩。
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| 关 键 词： | 意识 现象学 自在 自为 |
| 文章编号： | 1671-055X(2006)02-0066-03 |
| 修稿时间： | 2005年12月16 |
On Sensibility and Reason, Two Aspects of Sartre's Aesthetics |
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| QIN Gang,ZHOU Fan.On Sensibility and Reason, Two Aspects of Sartre''''s Aesthetics[J].Journal of Liupanshui Teachers College,2006,18(2):66-68. |
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| Authors: | QIN Gang ZHOU Fan |
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| Institution: | QIN Gang1,ZHOU Fan2 |
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| Abstract: | Sartre's aesthetics is defined as irrational aesthetics on account of its individual life experience and the trend of caring about the people's mental outlook and psychological development. Sartre makes the consciousness return to the state of ex-introspection, reveals the people's real living condition and reflects their subjective state of mind by means of phenomenology, which makes his aesthetics flash with sense. However, his ideas such as meeting freely and views of practical literature and art imply that he hasn't freed himself from the reason. His aesthetics still remains marked rational colour. |
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| Keywords: | consciousness phenomenology freely for-itself |
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