| 毛泽东的诗学观 |
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| 引用本文： | 杨汉云.毛泽东的诗学观[J].衡阳师范学院学报,2001,22(5):60-64. |
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| 作者姓名： | 杨汉云 |
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| 作者单位： | 衡阳师范学院,中文系,湖南,衡阳,421008 |
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| 摘 要： | “诗言志”是中国诗歌的优良传统,也是毛泽东最基本的诗歌观念。毛泽东认为“诗要用形象思维”,而“比”、“兴”与“赋”则是形象思维最主要的表达形式,深刻地揭示了诗歌创作的特殊规律。“诗当然应以新诗为主体,旧诗可以写一些”,摆正了新诗和旧诗的地位和关系,把“五四”以来新旧两种诗体从历史性的对立引向了现实的协调发展,对中国诗坛产生了深远的影响。
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| 关 键 词： | 毛泽东 诗学观 形象思维 诗歌观念 诗歌创作 比 赋 兴 “诗言志“ |
| 文章编号： | 1002-073X(2001)05-0060-05 |
| 修稿时间： | 2001年8月12日 |
Mao Zo-dong's Sense of Poetry |
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| YANG Han-yun.Mao Zo-dong's Sense of Poetry[J].journal of Hengyang Normal University,2001,22(5):60-64. |
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| Authors: | YANG Han-yun |
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| Abstract: | It is Mao Ze-dong's Sense of poetry that expresses one' s emotion by using poem. Mao thought that poetry conveyed ideas by means of images, and "Bi", "Xom" and "Fu" were its main forms of expression which subtly delineated the special regularity of poetry creation. Mao once said, "we should give first place to free verse while making lod-style poety subsidiary", which influenced the world of Chinese poetry deeply. Since then the two poetic styles have been well coordinated. |
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| Keywords: | Mao Ze-dong sense of poetry image |
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