| “心物感应论”与“摹仿说”之比较 |
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| 引用本文： | 任秀芹.“心物感应论”与“摹仿说”之比较[J].云南师范大学学报(哲学社会科学版),2001,33(4):87-90. |
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| 作者姓名： | 任秀芹 |
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| 作者单位： | 云南财贸学院基础部，云南昆明 650221 |
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| 摘 要： | 同是研究心与物之关系的“心物感应论”和“摹仿说”，由于东西方化区域、化传统的不同，因而其差异性仍然是明显的：中国古代美学中的“心物感应论”更强调审美的主体和心物交感的对应性，而西方古典美学中的“摹仿说”，则侧重于审美的客体和心物的对立性、冲突性。
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| 关 键 词： | 心物感应论 摹仿说 比较研究 文艺心理美学 亚里斯多德 艺术 |
| 文章编号： | 1000-5110(2001)04-0087-04 |
| 修稿时间： | 2000年12月25 |
A comparative study of two aesthetic theories: |
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| REN Xui-qin.A comparative study of two aesthetic theories:[J].Journal of Yunnan Normal University(Philosophy and Social Sciences Edition),2001,33(4):87-90. |
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| Authors: | REN Xui-qin |
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| Abstract: | The theory of interaction between spirits and objects in ancient Chinese aesthetics laid more stress on the correspondence of aesthetic subjects with that interaction while the theory of imitation of western classical aesthetics favoured the opposites and conflicts between acsthetic objects and spirits or different things. The great disparity was caused by the differences between east cultural tradition and west cutural tradition. |
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