Kierkegaard,musical performance,and the relation and differentiation of the sexes |
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Authors: | Yaroslav Senyshyn |
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Institution: | (1) Present address: Faculty of Education, Simon Fraser University, V5A 1S6 Burnaby, British Columbia, Canada |
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Abstract: | This paper is a critical evaluation of what is believed by the author to be Kierkegaard's subjective, ambivalent, and arbitrary stereotyping of women. In particular, the paper examines the Kierkegaardian notion of equality, essential feminine characteristics, and finitude. The result is an attempt to apply Kierkegaard's ideas to those issues pertaining to inequality in musical performance; as well, a plea is made for the demystification of the notion of woman as whore or Madonna. |
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Keywords: | stereotyping individuality emancipation domination infinitude money spirituality Madonna whore intuition mystification |
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