首页 | 本学科首页   官方微博 | 高级检索  
     检索      


Kierkegaard,musical performance,and the relation and differentiation of the sexes
Authors:Yaroslav Senyshyn
Institution:(1) Present address: Faculty of Education, Simon Fraser University, V5A 1S6 Burnaby, British Columbia, Canada
Abstract:This paper is a critical evaluation of what is believed by the author to be Kierkegaard's subjective, ambivalent, and arbitrary stereotyping of women. In particular, the paper examines the Kierkegaardian notion of equality, essential feminine characteristics, and finitude. The result is an attempt to apply Kierkegaard's ideas to those issues pertaining to inequality in musical performance; as well, a plea is made for the demystification of the notion of woman as whore or Madonna.
Keywords:stereotyping  individuality  emancipation  domination  infinitude  money  spirituality  Madonna  whore  intuition  mystification
本文献已被 SpringerLink 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号