| 歌剧进入外国文学史教学的综述和展望 |
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| 引用本文： | 刘会凤.歌剧进入外国文学史教学的综述和展望[J].安阳工学院学报,2010,9(3):77-79,107. |
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| 作者姓名： | 刘会凤 |
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| 作者单位： | 商丘师范学院,文学院,河南,商丘,476000 |
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| 摘 要： | 歌剧是一种具有世界影响力的艺术形式,与中国古典戏曲和欧美传统戏剧有异曲同工之妙。然而在现行的文学史教材中,其篇幅地位与后两者无法相比。从教材研究的角度来看,歌剧进入文学史有其合理性和必要性。近年来在比较文学视域下的外国文学教材改革在此方面也取得了一定的成就,因此在外国文学的课堂教学实践中,应相应地体现出歌剧的地位与价值。
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| 关 键 词： | 歌剧 戏曲 戏剧 文学史教材 |
On the Opera Entering the History of Foreign Literature |
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| LIU Hui-feng.On the Opera Entering the History of Foreign Literature[J].Journal of Anyang Institute of Technology,2010,9(3):77-79,107. |
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| Authors: | LIU Hui-feng |
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| Institution: | LIU Hui-feng(School of Literature,Shangqiu Normal University,Shangqiu 476000,China) |
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| Abstract: | As the European tradition drama and the classical Chinese opera,Opera is a world-famous art.However,in the current textbooks of literary history,its position can not be compared with them.On the point of the literary history,the opera entering the literary history seems reasonable.In recent years,on the view of the comparative literature,the foreign literature textbooks made some achievements,so that in the practice of the teaching,we should accordingly reflect the location of the opera. |
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| Keywords: | Opera Opera Chinese Drama the Textbook of Literature History |
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