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接受美学视角下意境的功能结构初探
引用本文:王建珍.接受美学视角下意境的功能结构初探[J].山西师大学报,2006,33(4):81-83.
作者姓名:王建珍
作者单位:沧州师专中文系 河北沧州061001
摘    要:从接受美学这一视角来研究意境可以发现,作为中国诗学、美学核心范畴的意境的获得,除了依赖接受者的创造外,还依赖于一个能够引导接受者进入超越领域的召唤结构。意境的召唤结构大致可分为四个层次:一是情景交融;二是时空呈现;三是象内象外结合;四是无象之象。由此,产生出意境的召唤功能,即空灵境界的产生和意境完形的可能。

关 键 词:接受美学  意境  召唤结构  空灵境界  意境完形
文章编号:1001-5957(2006)04-0081-03
收稿时间:2006-04-14
修稿时间:2006年4月14日

A Probe into the Functional Structure of the Artistic Conception from the Perspective of Receptive Aesthetics
WANG Jian-zhen.A Probe into the Functional Structure of the Artistic Conception from the Perspective of Receptive Aesthetics[J].Journal of Shanxi Teachers University,2006,33(4):81-83.
Authors:WANG Jian-zhen
Abstract:From the perspective of receptive aesthetics,it is found that the gain of the artistic conception,as Chinese poetic study and the core of aesthetics,depends on a conjuring structure which can lead the receptor into the super realm besides on the receptor's creation.The conjuring structure of the artistic conception can be divided into four levels: the mingling of emotion and scene,the emergence of the space and time,the combination of exterior and interior,the similarities among the dissimilarities,from which the conjuring function arose,ie.a creation of a vacant environment and a reform of artistic conception.
Keywords:receptive aesthetics  artistic conception  conjuring structure  vacant environment  the reform of artistic conception  
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