| 儒家美学在中国古典美学发展史上的地位 |
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| 引用本文： | 杨奇峰.儒家美学在中国古典美学发展史上的地位[J].河北能源职业技术学院学报,2009,9(3):13-14,17. |
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| 作者姓名： | 杨奇峰 |
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| 作者单位： | 广安职业技术学院,四川,广安,638000 |
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| 摘 要： | 儒家美学以孔子为发端，以“仁学”为基础，由孟子和荀子各从一端将其发展为一种与伦理学和心理学联为一体的儒家美学思想体系。在儒家美学的诸多标准中，“中和”为美是最为基本的。基于此，在艺术领域，儒家充分肯定审美和艺术在陶冶人的性情或协调人际关系等方面的价值；在人格美领域，儒家一方面肯定个体人格的独立性，另一方面强调人全面发展的社会意义；在自然美领域，儒家主张“比德”说，倾向于从伦理道德和人格心理结构的角度去观照自然景物，惯于将其比拟为某种人格品性的象征或隐喻性表现。儒家美学正是通过这些方面，在中国古典美学史上占据了极其重要的地位。
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| 关 键 词： | 儒家美学 古典关学 天人合一 中和 审美 |
The Status of Confucian Aesthetics in the History of Chinese Classical Aesthetics |
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| YANG Qi-feng.The Status of Confucian Aesthetics in the History of Chinese Classical Aesthetics[J].Journal of Hebei Energy Institute of Vocation and Technology,2009,9(3):13-14,17. |
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| Authors: | YANG Qi-feng |
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| Institution: | YANG Qi-feng (Guang＇an Vocational and Technical College, Guang＇an, Sichuan 638000) |
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| Abstract: | Confucian aesthetics, which takes Confucius as the originator and ＂benevolence＂ as the ba.4ts, was developed into an aesthetics ideology with the combination of psychology and ethics by Mencius and Xun Zi from each of their own point of views. In Confucian standards, the beauty of ＂harmony＂ is the most basic things. According to this, in the art, Confucians fully affirms the value of the aesthetics and art in cultivating people＇s temperament or coordinating interpersonal relations. In the field of personality, Confucians fully affirms the independence of individual character on the one hand; on the other hand, Confucians emphasizes the social significance of people＇s comprehensive development. In the area of natural beauty, Confucians advocates ＂virtue theory＂ which tends to view the nature in an ethical and psychological way and it is also accustomed to compare natural things to some kind of personality or character. Through this, we can see that Confucian aesthetics occupies an extremely important position in the history of Chinese classical aesthetics. |
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| Keywords: | Confucian aesthetics classical aesthetics harmony between man and nature harmony aesthetics |
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