| 王国维“无我之境”辨析 |
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| 引用本文： | 朱金凤.王国维“无我之境”辨析[J].苏州教育学院学报,2008,25(2):52-54. |
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| 作者姓名： | 朱金凤 |
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| 作者单位： | 苏州工业园区职业技术学院,教学管理部,江苏,苏州,215021 |
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| 摘 要： | 王国维的“境界说”在中国的词学理论史上具有重大而深远的影响。“有我之境”与“无我之境”之间的差别。在于“我相”的泯灭与否，而“我相”的泯灭不是“我”的肉身或自然属性是否消亡，而是“我”的本质的自然消隐。
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| 关 键 词： | 无我之境 情 相 |
A Brief Analysis on Wang Guowei's Ego-absent Realm |
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| Authors: | ZHU Jin-feng |
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| Institution: | ZHU Jin-feng (Suzhou Industrial Park Institute of Vocational Technology, Suzhou 215021, China) |
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| Abstract: | Wang Guowei＇s Theory of Artistic Realm has significant and profound influence on theoretical history of Ci study. The difference between Ego-involved Realm and Ego-absent Realm depends on whether dharmalakasana that disappears or not. Moreover, the subsidence of dharmalakasana is not whether the flesh of body or natural humanity does wither away or not, but act lust as a being. |
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| Keywords: | Ego-involved Realm sensibility dharmalakasana |
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