| 刘勰审美意象论 |
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| 引用本文： | 肖秋花,毛子昂.刘勰审美意象论[J].安徽广播电视大学学报,2014(2):11-14. |
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| 作者姓名： | 肖秋花 毛子昂 |
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| 作者单位： | 安徽师范大学文学院;安徽师范大学政治学院; |
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| 基金项目： | 教育部人文社科项目(项目编号:12YJCZH005)成果之一 |
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| 摘 要： | 中国古典美学中的意象论肇始于《周易》，成熟于唐代。而处于之间的刘勰对审美意象论最终铸成起着不可或缺的作用。刘勰生在魏晋南北朝这个思想激烈碰撞的时代，耳濡目染中兼融儒、释、道三家思想。而对其文艺美学思想产生巨大影响的是儒道两家。本文从意象本体论、意象创构论以及对唐代意象论产生的影响三方面对刘勰的审美意象论作一番探讨。
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| 关 键 词： | 刘勰 意象本体 审美意象 |
On the Aesthetic Image Theory of Liu Xie |
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| Institution: | XIAO Qiu-hua, M AO Zi-ang (1. College of Arts, Anhui Normal University, Wuhu Anhui 241000, China 2. College of Politics,Anhui Normal University,Wuhu Anhui 241000, China) |
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| Abstract: | The Chinese classical aesthetic image theory originates from The Book of Changes and is completely developed in the Tang Dynasty .As a scholar between the Zhou and Tang Dynasties ,Liu Xie makes great contribu-tions to the theory＇s final accomplishment .Liu lives in Wei Jin and Southern and Northern Dynasties ,during w hich period ,the schools of Confucianism ,Taoism and Buddhism mix and compete fiercely .Liu is greatly influenced by the Confucianism and Taoism .This article tries to discuss his aesthetic image theory from the three aspects as image on-tology ,image creation and Liu＇s influence to Tang Dynasty image theory . |
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| Keywords: | Liu Xie the image ontology aesthetic image |
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