| 李审美“气味”论 |
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| 作者单位： | 东南大学文学院 江苏南京210096 |
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| 摘 要： | “气”是中国古代哲学中极为重要的范畴。自南朝齐谢赫提出“气韵生动”以来,它就成为中国古代绘画的重要美学范畴了。在中国绘画史上,“气”在各个时期的内涵都得以新的阐发和丰富。本文从“气”、“味”丰富的美学内涵入手,通过对“气”、“味”、“韵”等审美范畴的比较、分析,从鉴赏到创作全面论证了清代李鱼单①审美“气味”论之重要价值。
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| 关 键 词： | 气 味 韵 淡 赏鉴 笔墨 |
Li Shan's Vigor and Charm Theory |
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| Authors: | ZHANG Man-hua |
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| Abstract: | Vigor was an extremely important category in Chinese ancient philosophy.In Southern Dynasties,it became the significant aesthetic category of Chinese ancient painting since the theory of "vigor and charm" had been put forward by Xie He.In the history of Chinese Painting,the connotation of vigor had been clarified and enriched in different times.This article began with the abundant aesthetic connotation of vigor and charm.By way of comparing and analyzing the aesthetic categories of vigor,interest and charm,the important value of Li Shan's appreciation on "vigor and interest" had been proved overall. |
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| Keywords: | vigor interest charm tasteless appreciate painting |
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