| 关于戏曲《打金枝》的源流演变 |
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| 引用本文： | 张凌燕.关于戏曲《打金枝》的源流演变[J].贵阳学院学报(社会科学版),2013(1):88-91. |
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| 作者姓名： | 张凌燕 |
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| 作者单位： | 吕梁学院汾阳师范分校 |
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| 摘 要： | 《打金枝》的产生至成熟呈现出从正史到野史、戏曲的发展轨迹。剧中主要人物身份都与《唐书》、《资治通鉴》等正史资料所录相符，而“打金枝”的经典情节则未见记载，《资治通鉴》只记载了郭暧与公主口头相争一事。《庆丰年》、《隋唐演义》、《满床笏》、《唐宫二十朝演义》、现代《打金枝》等文人创作先后增加了“拜寿”、“打金枝”、“连升三级”等具体情节，并提炼出了表现“郭氏一家富贵”和“唐代宫廷礼仪与民间礼仪的冲突”等思想主题。
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| 关 键 词： | 戏曲 《打金枝》 戏曲源流演变 |
The Origin and the Evolution of the Opera "Hitting Princess" |
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| ZHANG Ling-yan.The Origin and the Evolution of the Opera "Hitting Princess"[J].Journal of Guiyang College:Social Sciences,2013(1):88-91. |
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| Authors: | ZHANG Ling-yan |
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| Institution: | ZHANG Ling-yan(Fenyang Branch,Lvliang Normal College,Fenyang 032200,China) |
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| Abstract: | The development process of ＂Hitting Princess＂ from its origin till its maturity presents the development track of the drama from the official history to the unofficial history. The status of main characters in the drama is in accordance with the records in the official history such as ＂Tang Annals＂ , ＂History as a Mirror＂ etc. , while the classical plot is not seen in the records. Only the quarrel between Guo Ai and princess is recorded in the ＂History as a Mirror＂. the lat- er literati creations such as ＂ celebrating mega year＂ , ＂ Romance of the Sui - Tang Empires＂ , ＂The bed full of scep- ters＂, ＂Historical romance of the 20 -dynasty in Tang Palace＂ and modem ＂ Hitting Princess＂ and so on, have in- creased concrete plots such as ＂offer birthday felicitations＂ , ＂hitting Princess＂ , and ＂advance three ranks＂ etc. , and have refined the many topic ideas which express ＂ the Guos＂ wealth＂ and ＂ the conflict between the tang dynasty court manners and folk manners＂. |
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| Keywords: | Drama ＂Hitting Princess＂ origin and evolution of the opera |
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