| 也谈昆曲去声字的字声特征与腔格 |
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| 引用本文： | 田韶东.也谈昆曲去声字的字声特征与腔格[J].金华职业技术学院学报,2008,8(5):48-50. |
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| 作者姓名： | 田韶东 |
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| 作者单位： | 杭州师范大学,浙江,杭州,310002 |
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| 摘 要： | 昆曲去声字演唱时在旋律上由低而高再回落，称为“豁腔”。去声字在旋律中常处于高音区、句首处、歌词意义所表现的复杂情绪的转折处。使用豁腔演唱有其语言调值、语言在生活中的运用、诗词创作特征、唱字清晰等多方面的原因。去声字和上声字组合使用时，前字的音高往往高于后字的音高，在念白中则反之。
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| 关 键 词： | 昆曲 去声字 演唱 |
The Tone Characteristics and Tune Meter of Qusheng Words in Kuqu Opera |
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| TIAN Shao-dong.The Tone Characteristics and Tune Meter of Qusheng Words in Kuqu Opera[J].Journal of Jinhua College of Profession and Technology,2008,8(5):48-50. |
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| Authors: | TIAN Shao-dong |
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| Institution: | TIAN Shao-dong ( Hangzhou Normal University, Hangzhou 310012, China) |
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| Abstract: | Qusheng words of Chinese Kunqu opera singing on when the melody from low to high and fall,called "Huo cavity" Qusheng words in the melody often in the highs,the first sentence,and the meaning of the lyrics by the performance of the complex emotions of the turning point.The use of "Huo cavity" stressed the value of language,language use in daily life,poetry,and creative features to sing the words clearly.When Qusheng words and Shangsheng words were used in combination,the front words were often higher than the pitch of the words,and vice versa. |
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| Keywords: | Kunqu opera Qusheng words and singing |
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