| 电影"暴力美学"的变化与思考 |
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| 引用本文： | 谈曾强.电影"暴力美学"的变化与思考[J].山西广播电视大学学报,2007,12(6):97-98. |
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| 作者姓名： | 谈曾强 |
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| 作者单位： | 南昌大学影视艺术研究中心,江西,南昌,330047 |
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| 摘 要： | 以吴宇森为代表的一代大师创造了"暴力美学"这个名词,然而随着时间的流逝,观众的欣赏兴趣已经发生了变化。昆廷的几部电影引发了新的"暴力美学"潮流。但是仔细分析,最符合"暴力美学"名号的,还是以北野武风格的作品——最大的暴力是无常。
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| 关 键 词： | "暴力美学" 吴宇森 昆廷 北野武 |
| 文章编号： | 1008-8350（2007）06-0097-02 |
| 修稿时间： | 2007-05-26 |
The Change and Ponder of Movie "Violence Esthetics" |
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| Tan Zengqiang.The Change and Ponder of Movie "Violence Esthetics"[J].Journal of Shanxi Radio & Tv University,2007,12(6):97-98. |
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| Authors: | Tan Zengqiang |
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| Institution: | The Research Center of Film and TV, Nanchang University, Nanchang, Jiangxi, 330047 |
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| Abstract: | John Woo who stands for the generation of great master has created "the Violence Esthetics".But with the passage of time,the appreciation of audiences has changed.Then several movies directed by Quentin Tarantino have initiated newly current of "Violence Esthetics".But the work that most conforms to "Violence Esthetics" is directed by Kitano Takeshi means that the maximum violence is variable. |
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| Keywords: | "Violence Esthetics" John Woo Quentin Tarantino Kitano Takeshi |
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