| 五十年来关于《狂人日记》创作方法的论争 |
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| 引用本文： | 宣淑君.五十年来关于《狂人日记》创作方法的论争[J].楚雄师范学院学报,2003,18(1):24-27. |
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| 作者姓名： | 宣淑君 |
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| 作者单位： | 云南师范大学图书馆,云南,昆明,650092 |
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| 摘 要： | 建国五十年来对《狂人日记》创作方法研究的观点多有分歧，甚至展开过激烈的论争。其观点主要有现实主义、浪漫主义、现实主义与浪漫主义相结合、“意识流”、象征主义、写实的象征主义等多种。通过不同观点的提出和讨论，人们已在20世纪末逼近了对《狂人日记》的正确理解。本文的总结与评述为本世纪《狂人日记》的研究提供了有益的参考。
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| 关 键 词： | 五十年 狂人日记 创作方法 论争 |
| 文章编号： | 1671-7406(2003)01-0024-04 |
| 修稿时间： | 2002年9月15日 |
Some disputes on the artistic method of The Diary of the Madman in the past fifty years |
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| XUAN Shujun.Some disputes on the artistic method of The Diary of the Madman in the past fifty years[J].journal of chuxiong normal university,2003,18(1):24-27. |
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| Authors: | XUAN Shujun |
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| Institution: | XUAN Shujun |
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| Abstract: | There have existed some divergent views on the artistic method of The Diary of the Madman for over fifty years, and these divergences have even developed into heated disputes, which mainly consist of realism, romanticism, a combination of realism and romanticism, stream of consciousness, symbolism and realistic symbolism. After some considerable discussions, a better understanding of the works has been got. The literary review and discussion in the present paper will be hoped to accelerate the development of the academic researches into The Diary of the Madman in the 21st century. |
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| Keywords: | fifty years The Diary of the Madman artistic method dispute |
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