| 论词境的“空白” |
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| 引用本文： | 滕驰.论词境的“空白”[J].广播电视大学学报,2008(3):40-44. |
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| 作者姓名： | 滕驰 |
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| 作者单位： | 内蒙古工业大学,内蒙古,呼和浩特010051 |
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| 摘 要： | “空白”在中国古典艺术中是一个很重要的范畴。中国古典艺术，无论是国画、书法、还是诗词文章，意境之中有空间、有荡漾，神明里透出幽深，不但传达着作者的生命情调，也代表着中国古代文人的宇宙意识。从“空白”论的思想渊源入手，浅析其内在意蕴，及其给词带来的审美特质——空灵，并通过分析“空灵”的美学意义，力图探寻词这种特殊的诗体的内在精蕴，以及词作为有宋一代文学巅峰的文学精神。
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| 关 键 词： | 空白 虚 实 词 空灵 |
On Blank Space in Ci-poetry |
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| TENG Chi.On Blank Space in Ci-poetry[J].Journal of TV University(Philosophy & Social Sciences),2008(3):40-44. |
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| Authors: | TENG Chi |
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| Institution: | TENG Chi(Inner Mongolia University of Technology, Huhhot Inner Mongolia China 010051 ) |
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| Abstract: | ＂The blank＂ in the Chinese classical art is a very important category. Regardless of the traditional Chinese painting, the calllgraphy, the poetry, article, not only transmitting author＇s life affective tone, but also representing writer＇s universe This article tries discusses the origin of＂ the blank, space of Ci＂ analysis its intrinsic implication, and esthetic special characteristic elusive, and through analysis ＂eusive＂ esthetics significance, tries to inquire about the special poem body the intrinsic abstruse and the literature spirit Song Dynasty. |
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| Keywords: | Blank space Emptiness Truth Ci-poetry Elusive |
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