| 论我国的佛教美术及其传播 |
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| 引用本文： | 彭景荣.论我国的佛教美术及其传播[J].黄河科技大学学报,2006,8(4):90-92. |
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| 作者姓名： | 彭景荣 |
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| 作者单位： | 浙江林学院,浙江,杭州,313300 |
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| 摘 要： | 中国佛教美术的早期是一个漫长的引进融合阶段,很大程度上受到印度佛教美术,尤其是犍陀罗美术的影响,但中国佛教美术的基点仍是本土艺术传统。所以,中国早期佛教美术逐渐融合和减退了印度佛教美术强烈的肉欲和性感色彩,消磨了希腊艺术几何概括的形式,逐渐改变了印度化的雕塑,创立了中国佛教美术的样式。犍陀罗式的印度化雕塑也渐渐演进成汉式造型,“右开左合”的改良式偏衫更成为中国早期佛教造像的特征。这些基本形象的改造既不失佛经本意,又易为民众普遍接受,真正体现了民族性。
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| 关 键 词： | 中国佛教美术 传播 犍陀罗美术 民族性 |
| 文章编号： | 1008-5424(2006)04-0090-03 |
| 收稿时间： | 02 17 2006 12:00AM |
| 修稿时间： | 2006年2月17日 |
Remark on Our Country's Buddhist Art and Its Spread |
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| PENG Jing-rong.Remark on Our Country''''s Buddhist Art and Its Spread[J].Journal of Huanghe S&T University,2006,8(4):90-92. |
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| Authors: | PENG Jing-rong |
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| Institution: | Zhejiang Forest Institute, Hangzhou 313300, China |
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| Abstract: | The early period of our country's Buddhist art was a long introduced and blended stage.To great degree it was affected by India Buddhist art especially by Gandhara art.But basically our country's Buddhist art was still on the native tradition.So,in the early period our country's Buddhist art gradually blended and decreased the strong sex desire color of India Buddhist art,wore out the geometric generalized form of the Greek art,changed the sculpture type of India and created our own type.The Gandhara type of India also gradually developed into Han national type.The reformed mold of Buddhist figure with the coat of Chinese style became the feature in the early period of China.Such reformed figure didn't betray the original meaning of Buddhist book but was easily accepted by Chinese masses,which really embodied national nature. |
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| Keywords: | Chinese Buddhist art spread Gandhara art national nature |
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