| 《淮南子》《乐记》音乐观点比较 |
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| 引用本文： | 郭秀岭.《淮南子》《乐记》音乐观点比较[J].绥化学院学报,2006,26(3):96-98. |
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| 作者姓名： | 郭秀岭 |
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| 作者单位： | 漯河职业技术学院音乐系,河南,漯河,462000 |
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| 摘 要： | 本文探讨了儒教与道教音乐思想的异同,对比了《淮南子》、《乐记》两部儒道著作中所主张的音乐观点,分析了儒教与道教在音乐的作用、音乐技巧、音乐欣赏所持的对立观点,以及二者在音乐的表现、音乐的属性方面观点的融合。
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| 关 键 词： | 中国古典文化 音乐美学 儒道音乐思想 对立与融合 |
| 文章编号： | 1004-8499（2006）03-0096-03 |
| 收稿时间： | 2005-10-24 |
| 修稿时间： | 2005年10月24 |
The comparison of the musical viewpoints claimed in "The Culture of South Huai" and "On music" |
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| Guo Xiuling.The comparison of the musical viewpoints claimed in "The Culture of South Huai" and "On music"[J].Journal of Suihua University,2006,26(3):96-98. |
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| Authors: | Guo Xiuling |
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| Institution: | Department of music, Luohe college of professional education of Henan Province , Luohe 462000, China |
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| Abstract: | This paper studies the difference and the consistency concerning the music idea advocated by Confucianism and Taoism.By analyzing the "South Huai"and "On music",the following view points are proposed: Their opinions on the music function,music technique and music enjoyment are opposite,and those concerning the music expression,music property are consistent. |
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| Keywords: | Chinese classical culture Music aesthetics Confucianism and Taoism Music idea Contrary and Consistency |
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