| 《古诗十九首》与古典文学写悲抒情传统 |
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| 引用本文： | 梁梅.《古诗十九首》与古典文学写悲抒情传统[J].四川师范学院学报,2014(6):29-32. |
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| 作者姓名： | 梁梅 |
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| 作者单位： | [1]宁夏大学文学院,宁夏银川750021; [2]华东师范大学人文学院,上海200240 |
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| 摘 要： | 《诗经》《楚辞》共同奠定了中国古典文学写悲抒情传统，然而汉代由于大赋兴起却逐渐淡薄。《古诗十九首》延续了《诗经》《楚辞》抒情特色，采用悲情意象和鲜明的对比，运用大量叠字，甚至以乐写悲，营造出浓重的悲怨底色。这种写悲抒情传统极大影响了建安诗歌，同时对后世文学而言又具有典范性的审美价值。
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| 关 键 词： | 悲情 抒情传统 《古诗十九首》 |
Nineteen Ancient Chinese Poetries and the Sadness Expression Tradition in Classical Literature |
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| LIANG Mei.Nineteen Ancient Chinese Poetries and the Sadness Expression Tradition in Classical Literature[J].Journal of Sichuan Teachers College (Philosophy & Social Science),2014(6):29-32. |
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| Authors: | LIANG Mei |
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| Institution: | LIANG Mei ( 1. School of Chinese Language and Literature, Ningxia University, Yinchuan 750021, China ; 2. School of Humanities, East China Normal University, Shanghai 200240, China ) |
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| Abstract: | Both The Book of Songs and The Songs of Chu established the lyric tradition for sadness expression in classical Chinwe literature. However,in the Han Dynasty,the colour of it faded with the development of Hanfu. Nineteen Ancient Chinese Poetries continued the expression peculiarity of them by means of the saddest images,sharp comparison ,lots of reduplication and even used sorrowful happiness to create a dense sorrowful base color. The lyric tradition for sadness expression not only influenced the poems in Jianan period but also had the exemplary aesthetic value for the later literature. |
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| Keywords: | sadness expression lyric tradition Nineteen Ancient Chinese Poetries |
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